This time I started with Bartlett Street, home to Bath's branch of Toast. Not a noted art gallery, I know, but this spring Toast is showing a number of pieces of art, Works of the Heart, across its stores. Lucy May Schofield is one of the chosen artists, and her collection of cyanotypes from last year's winter solstice, Blue Hour (The Last Light) 2016, has been installed in the Bath shop window. The Toast site says:
Schofield’s work is a unique record of sunlight on the Winter Solstice. In the days leading up to the shortest day of the year she imposed upon herself a routine of hand making 160 sheets of Japanese kozo washi (mulberry paper). Before sunrise on 21st December 2016 she painted each sheet of paper with a UV sensitive coating and attached them to the interior wall of a derelict shooting hut in the Northumberland National Park. As light touched the paper between dawn and dusk each piece became a print of the day’s light.
Like a lot of art, something is lost in the photographing of it - subtlety of shade, depth of tone, essential character - which I would say is as it should be. Surely, ideally, the real thing should carry more meaning that a representation of it. The Toast photo is excellent, but I've stuck with my own poorer versions, complete with local reflections, which give it a grounding in location if nothing else.