And where that six months went, I'm not quite sure.
Anyway, new year, another batch of good intentions. One is to be more active on here - surely I can at least manage to do that. I'm in a new studio - at Hot Bed Press, so with no excuse not to print more, what with the presses being in the same building, on the same floor and literally half a minute's amble away. It's roomy, bright (until they build the block of flats just across the road, but hey), still has some space in for the moment (not sure how long that'll last) and I love it to bits. So much so that I have trouble leaving it to reach those aformentioned presses, but I think I can train myself up on that one.
From which you can gather that I've not achieved terribly much recently. I did manage an edition for the annual 20:20 Print Exchange (and have only just added the print to my exchange page), there was an open studios event alongside the regular Hot Bed Press Under the Bed Sale, which was good fun, and I've been working away in slightly haphazard fashion at any number of collagraph plates, so not entirely nothing. Even so.
Anyway, new year, another batch of good intentions. One is to be more active on here - surely I can at least manage to do that. I'm in a new studio - at Hot Bed Press, so with no excuse not to print more, what with the presses being in the same building, on the same floor and literally half a minute's amble away. It's roomy, bright (until they build the block of flats just across the road, but hey), still has some space in for the moment (not sure how long that'll last) and I love it to bits. So much so that I have trouble leaving it to reach those aformentioned presses, but I think I can train myself up on that one.
From which you can gather that I've not achieved terribly much recently. I did manage an edition for the annual 20:20 Print Exchange (and have only just added the print to my exchange page), there was an open studios event alongside the regular Hot Bed Press Under the Bed Sale, which was good fun, and I've been working away in slightly haphazard fashion at any number of collagraph plates, so not entirely nothing. Even so.
Oh, and a course with Sumi Perera at West Yorkshire Print Workshop. I didn't take away as much as I should have, in terms of expanded practice, due to a tendency not to move too far from my comfort zone, but everything was interesting and perhaps I've squirreled away more exciting intentions than I realise yet. We got to see plenty of her work, which as I might have mentioned before I find fascinating. Also the open print exhibition - some fantastic stuff, from which unaccountably I only have photos of one artist's work. And I did manage a few prints that I'm relatively happy with - the one above was one, an old piece overprinted with (inevitably) a collagraph.
A selection of work by Sumi Perera
My most recent source of excitement was taking a course with Sylvia Waltering to learn (I have a suspicion that it was relearn, but we'll glide lightly past that) how to make a clamshell box. Useful for putting prints or artist books in, but actually fun just for the boxes. I even went away and made another one (trying to fix the techniques in my head before they dribble away through that annoying hole somewhere at the back of my memory) and intend to keep up the practising, perhaps even experimenting a little on my own. I'm indulging my inner colour junky at the moment, but have every intention of trying for muted later on. Probably should come up with some kind of purpose for them.
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