Bath generously provides me with lots of exhibition-visiting opportunities - this week I made an effort and took in the Breugel show at the Holburne Museum, but I'm afraid it was far too crowded and (I knew this before I went) I don't try hard enough with most pre 20th century work. I peered over shoulders, appreciated the liveliness, then far too soon took myself off to see uber wood engraver Anne Desmet's work in the next room. Which I enjoyed far more - though the fact that I managed to be the only person in the room did play some part in my enjoyment. I remember having some good ideas as I went round, but I've forgotten them and might have to go back to be reminded - probably won't be revisiting the Breugels, though.
There are plenty more visiting opportunities outside of Bath, including, these days, Trowbridge. It has certainly been the case in the past that I haven't been able to make the most of Drawing Projects - its available days and mine never seemed to coincide. However, that seems to be becoming less true, and this last week I did go in to see Greyscale, a show of work by five Australian artists - I particularly liked the mark-making in pieces by Lisa Jones. In a hallway there are two massive portraits in charcoal, which have enormous presence. Nothing to do with the exhibition, they are by Anita Taylor - Drawing Projects is her and her partner's baby. It would, I imagine, be a lovely building in which to have a studio - lots of white, a certain quiet elegance, plenty of light. I love the lettering they use for signage, too - again, a certain elegance.