karen joyce
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Here and there, this and that

3/5/2017

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The yo-yo travel continues - I do my best to catch handy exhibitions and generally succeed, but I'm determined to ensure that printmaking happens too - it's too easy to let it slide, to claim (not without justification!) that really I should be ironing/mowing/getting a grip.  In all honesty, it's not as if I did a load of that stuff before the increased to and fro, so why would I now?

Bath generously provides me with lots of exhibition-visiting opportunities - this week I made an effort and took in the Breugel show at the Holburne Museum, but I'm afraid it was far too crowded and (I knew this before I went) I don't try hard enough with most pre 20th century work. I peered over shoulders, appreciated the liveliness, then far too soon took myself off to see uber wood engraver Anne Desmet's work in the next room.  Which I enjoyed far more - though the fact that I managed to be the only person in the room did play some part in my enjoyment.  I remember having some good ideas as I went round, but I've forgotten them and might have to go back to be reminded - probably won't be revisiting the Breugels, though.

There are plenty more visiting opportunities outside of Bath, including, these days, Trowbridge.  It has certainly been the case in the past that I haven't been able to make the most of Drawing Projects - its available days and mine never seemed to coincide.  However, that seems to be becoming less true, and this last week I did go in to see Greyscale, a show of work by five Australian artists - I particularly liked the mark-making in pieces by Lisa Jones. In a hallway there are two massive portraits in charcoal, which have enormous presence.  Nothing to do with the exhibition, they are by Anita Taylor - Drawing Projects is her and her partner's baby. It would, I imagine, be a lovely building in which to have a studio - lots of white, a certain quiet elegance, plenty of light.  I love the lettering they use for signage, too - again, a certain elegance.       
Picture
And I have been managing to print, too - first for Bristol Artists' Book Event (BABE) at the beginning of April, and more generally since.  I'm a little disappointed in myself that I shan't be putting anything up for the Bath summer exhibition this year, but being in the city for the ritual queue just isn't going to fit this time round.  Perhaps I might be better employed, now that I'm making more of an effort, in working through some complete print editions - that way I might be ready for future opportunities.   
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    Hi there

    I make prints and book arts, though nowhere near as often as I'd like - no good reason, just an inability to get on with things.  I occasionally go on about landscape (with which I am mildly obsessed) and various of its elements, and I like to pass comment on exhibitions I visit.

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