This time I'm determined to open my studio for the event (though last time I ended up dealing with a minor family crisis at the wrong end of the country, so I've got all my fingers and toes crossed). I confess in some ways I'd rather not - being on public view isn't terribly high on my list of things to enjoy - but I accept that if there's an open studios event in the building then really our studios should be open. It's an incentive to tidy, sort, hang work, maybe even (if I find the time) apply a lick of paint here and there, and it's not as if it comes round every month. I wonder if there'll be another group of folk telling me how they did lino cuts at school. For the record, I didn't.
This time I'm determined to open my studio for the event (though last time I ended up dealing with a minor family crisis at the wrong end of the country, so I've got all my fingers and toes crossed). I confess in some ways I'd rather not - being on public view isn't terribly high on my list of things to enjoy - but I accept that if there's an open studios event in the building then really our studios should be open. It's an incentive to tidy, sort, hang work, maybe even (if I find the time) apply a lick of paint here and there, and it's not as if it comes round every month. I wonder if there'll be another group of folk telling me how they did lino cuts at school. For the record, I didn't.
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Hi there
I make prints and book arts, though nowhere near as often as I'd like - no good reason, just an inability to get on with things. I occasionally go on about landscape (with which I am mildly obsessed) and various of its elements, and I like to pass comment on exhibitions I visit. Archives
September 2020
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