Lots to like here, though I didn't particularly go for any of the prize prints. I don't expect to - I'm never going to be a cutting edge sort of a person, in what I do or what I like, and so what? My own particular favourite was Barbara Ann Swan's 'DNA Women' - I stood in front of it for ages, studying the riveting selection of body parts. Loved it. I liked the strips of film way of hanging it, trailing on to the floor, too.
I also really liked Rosey Prince's 'Elephant (with yellow wall)' for its lovely combination of saturated colour with obviously black and white, Victoria Ahren's rich 'Home Front', Fiona Grady's 'Arcs I-V' as they quietly developed across the set, and the non-prizewinning work by Susan Eyre, 'Paradise Row SW4' for that lovely, sly flash of colour in amongst the shades of grey.